The cool thing about this is, that we can convert this text into shape layers so we are able to apply a shape effect to it. By Creative Bloq Staff 02 May 2011. If we combine our point light with an ambient light of set to maybe 20 percent, that just fills in our scene a little bit more so that it doesn't feel too dark. That's how I want the bike animated. All of them are very common path-based FX that are featured in Illustrator. What's New; Video & Audio; Showcase; Learn & Support; Free Trial; Buy now Create shape layers. I'll select the text layer and the texture that goes with it, and I'll pre-compose the layer by going to Layer, Pre-compose or by pressing Shift Command C or Shift control C on a PC. Rating: 4.4 out of 5 4.4 (65 ratings) 1,476 students Created by Andrew Pach. The other thing I'd like to animate is the clouds. But for the sky, obviously I'll use a blue layer. Is your end result going to look like it was cut out of construction paper by a child? The number of lights that you have and their position greatly affect how the shadows show up. Be sure to check out my other Skillshare classes, and follow me on Instagram, Dribbble, and Twitter to see when I'm working on new classes. If I were to darken this to about the point that I want it, you can see that it's getting very saturated and we're losing some of the details. This will leave the blacks black, the whites white, and then with the Midtones control, we can affect the overall hue much more easily. So Alpha Matte "Clouds" is what we want to select. I will go up to Effect, Expression Controls, Slider Control. It's not something we need for this class, but it's something good to know. 1. I'll undo. This part is a lot of fun because you get to be as creative as you'd like, to come up with the look that you're after. I'll come down to the text layer and open up the position, then I'll right-click on position and go to separate dimensions. How to Crop in After Effects in Three Easy Steps Step 1: Select Region of Interest Tool. If I enable the post to rise time layer as well, you can see what that looks like. I'm going to select my material options, copy it, close that layer up, select all of my other objects, and paste. Now I have these leaves inside of my comp and I can scale it down, hold down shift to maintain the proportions, and reposition it to wherever I'd like it. I'll apply the Tritone effect and then pull this down so it's a little bit darker, a little more saturated, and right about there's good. Shape Elements V2.2 [Last Update 23 October 18] Videohive - Free Download After Effects Templates. I think these are actually all just a little bit too big. If I turn this up to about 50, you'll see that that made the shadows much softer. Then I want to push the text, actually should go back right about where that bridge is in the river. Ctrl + T. Activate and cycle through T ype Tools. Before we apply the effect, we have to build our scene. I might adjust it a little bit more but you get the idea of what I'm trying to do and that is really the last thing that I would do to complete this scene. Then I will select my middleground trees and duplicate them by pressing Command D or Control D on a PC, and I want to replace this preComp with my new leaves preComp. Then I'll press "Okay", and you'll see that After Effects automatically makes all of these new precomps for every texture image. ... then begin drawing a mask around the edge of the subject you want to cut out. I'll rename this adjustment layer vignette, and then I'm done with that adjustment layer, so I will lock it. I'm happy with that. Again, this is just something that's personal taste. Nothing will change. I'll set a keyframe for the rotation, and then I'll also set a keyframe for the position by pressing Option P or Alt P on a PC. Search. I can get rid of my artwork textured preComp because I won't be needing it anymore. It's a much choppier feel and gives a more hand done, stop-motion type look. I'll do the same thing to the other text layers. If an object is very close to another, the shadow will be much crisper, and if it's further away, the shadow will be much softer. If I click off of this to accept that input, we no longer have that wiggle. So I'll undo, and we could try spacing out all of these layers by hand, by clicking and dragging on the Z position. First, you create a mask on a new solid layer on top of the layer you want to cut out / mask. I just want it to affect the outside corners. Essentially, the Region of Interest tool allows you to create a box around a specific area in the frame. It's not really happening in my scene, but if I push this light closer, you can see that this part of the scene is getting much more dark than I'd like it to. I want to preserve this comp so if I make any changes later, I can always use it as a reference. That's exactly what I want. One more thing that I want to adjust are these two little hills upfront. Sign out × After Effects Tutorial ... How to Create a Mask from a Shape with After Effects Benjamin Arango. I'll do the same thing for this grass layer, I'll scale up the texture while holding shift on the keyboard, until none of the artwork is getting cropped, and I think everything is showing up the way it supposed to now. Choisissez votre région. Now they all animate in at the same time so I need to offset them by deselecting the first layer, moving the second one a few frames, and then doing the same for the third layer, and now they come in a little bit offset from each other. You can see over that point, the value is changing from 20 to zero and it no longer wiggles. Then let's take the path layer and make it a dark gray color. We'll cover lots of topics like texturing, working in 3D, using 3D lights and shadows and lots more. That's because the brown construction paper was actually pretty bright, and the brown of the trees that we want, isn't that right. If I turn off the point light, you can see that it's affecting everything evenly. Alternative. I made a house drawing from line segments on Adobe Illustrator CC. First I need to drag this adjustment layer below Posterize Time then I'll bring up the expression by double tapping E on the keyboard and I need to change this value from point two to something much lower, I'll just put a zero before that two press enter and preview this again. So I'm going to cut this expression out of offset, open up my exposure, option or Alt Click on the exposure key-frame to give me an expression dialog and then paste that expression into that box and now let's see what that does. W. Activate Rotation Tool. To do that, I will come up to this drop-down right here where it says Active Camera and change it to Custom View 1. Now I also know that I want to animate the bike. Every instance is updated. If you ever post your class projects to social media, be sure to tag me in it. This gives us a different view of our scene. But I find that it's just a little bit finicky and there's actually an easier way to do this. Now we can put some finishing touches on this scene to sell the look just a little bit more, and just add to the overall effect. If I push this layer through this scene, you can see that once it passes certain objects in z space, they're no longer getting lit. Now, if I zoom in here, you can see now that the shape of the construction paper is now the same shape as the clouds, and after effects is telling us this is happening by these two little icons, saying this layer is using a track matte and this layer is the track mate. If I solo the trees background layer, and see that this entire layer is made up of two different colors. Le glossaire des effets d'After Effects en anglais et en français ! I'll go to my camera and set a position keyframe by holding Option P or Alt P on a PC, and that brings up a new keyframe. If I were to add a tint effect, it de-saturates my entire scene. Now that all of my layers are 3D, I can move them in not only the X and Y positions, but also the Z position. In this video tutorial, Creative Cow leader Aharon Rabinowitz shows you how to move beyond the Basic shape tools to create your own custom shapes. I will align my layers to the composition, center, horizontally, centered vertically and now my artwork is lining up the way that it should. By itself, this does nothing but it allows us to link expressions to it so that we can control the expressions. So obviously things are looking a little weird, but that's okay, we're going to be changing the colors in just a few steps. 9. What you'll learn . Why don't we start with the sky first? Now where I position this light is going to be dependent on how I want the shadows to look. I used the join command and wanted to cut out the house shape from a color gradient I downloaded. That way it will bring my art working as layers instead of as a flat document. Undo, get rid of the tint effect and then type in another effect called Tritone, and apply that to the layer. You can design your artwork however you feel most comfortable, you can design it straight inside of After Effects, in Illustrator, or in Photoshop, whatever you're most comfortable with. That will automatically look for the slider on that layer and base the wiggle position on the slider's value. If you want to learn more about that subject, be sure to check out our Smoothing Keyframes in After Effects article. I'll go ahead and start organizing my project by making a new bin and calling this images, and I'll put the artwork inside of that folder, open that up, go into a new column that was created from my artwork, and then I'll scale this to fit up to 100 percent so I can see the hole document. What this is doing is just making an imperfect circle. Now that we play this back, you can get an idea of what this effect is doing. Step 1: Load your video into the project area and then drag and add it to your timeline. Once you're happy with the way that you're scene is looking, you can move on. This is where you get to be pretty creative about how you want your scene to look. I'm going to switch this back to Alpha Matte, so we have our clouds looking the way that they're supposed to, and I'll continue doing the same process for the rest of my artwork. So that's pretty much how I want everything spread out. Now I have all my layers in my new composition, but they are not positioned correctly. But it's pretty hard to do from this angle. 12. One last thing to think about before you bring your artwork into After Effects is that you want your art board to be larger than the artwork. I started putting together this scene in my head and designed some very basic elements to fill out this scene. I'll select that folder and press "Open" to import that entire folder of textures into my After Effects project. Lunapics Image software free image, art & animated Gif creator. It's always a good idea to stay organized. If you look at the text layer, all the text is going to exist on the same plane and they're all the same color, so I kept that all in the same layer. That's just a quick way to go back and forth on our reference image. Intensity, 100 percent for now is fine. Now that I have my shape the way that I want it, I will collapse this layer and then go into my textures, bring in the green texture, and then use the shape layer as an Alpha matte of that construction paper, and now I have my leaves. Step 2: Now, add an adjustment layer above your video on your timeline. Now, I'll import my artwork into After Effects, and because I separated the artwork into layers inside of Illustrator, I want to be sure to tell After Effects to import the artwork as a composition. Then finally we have these two little hills which are actually right where they should be. I'll go to the cloud layer, scale that up a bit, compare it to our reference, still needs to be a little bit larger, and that's pretty good. That's basically what I want. Increase the contrast, maybe make them a little bit more blue then a little bit darker, and now, they just pop out from the background a little bit. I'll turn that off for now. The Region of Interest button is at the bottom of the Composition panel. Adjust the ease handle again, and then reposition these keyframes to line up with the end of the Y position animation. Next, let's do the clouds, I'll grab my white texture and bring that in below the clouds layer, and because the clouds aren't just rectangles, we need to actually get this texture onto the clouds. I want that to happen, but only until the layer comes to a rest. The first is our Shadow Darkness. What I need to do is blend the original artwork on top of the texture layer, so that the color is coming from the artwork. For most of my design, I was fine with doing stuff pretty rough as if somebody was just cutting this out of construction paper pretty quickly. Ce logiciel utilisé par les freelances et studios professionnels est un outil de Motion Design avancé, utilisé dans la pub et même parfois au cinéma. Then I'll move back to zero, and just so everything updates a little bit quicker while I move around I'm going to enable draft 3D, and that just disables all the lighting effects. For the other layers that aren't getting cut off, it's a little bit more difficult to know how much to scale them up. Then we'll apply the hue saturation effect on top of the sky layer, and then I'll just boost the saturation a little bit until it's a little bit more vibrant. So the Z rotation of the camera is going to wiggle three times a second at point two degrees. Then I want to pull the camera back in z space by adjusting z position, but not too far to where I'm cutting off parts of the scene. Shadow Darkness, we can probably put to about 50, and then press "OK." Right away our scene updates, we have a new object in our composition that represents the light, and it has the x, y, and z controls just like any other 3D layer. After Effects offers a nice selection of vector-based effects too that are contained inside the Shape Layer. That's where our reference image is going to come in handy. With somebody who's experienced in using an exact a knife to get very nice shapes cut out of paper. That will automatically type in what After Effects needs to know to base the second value, which is the number of pixels that it's wiggling, off of this slider value. Just a few seconds to get cool style for your lettering You just need to place your text into smart objects. Then I'll press F to bring up the mask feather and crank this up to a pretty high value. 4. Anything on top of that is bonus and will just help sell the effect even more. Create Slick Geometric Shape Designs in After Effects, Ability to add projects to a Favorites list, Our Favorite MoGraph-Inspired Opening Title Sequences, Working With Keyframe Interpolation in After Effects, Video Editing Tips: 3 Options for Creating Stylish Logo Reveals. 5. To do that, I'll hold Option or Alt on a PC and click on the X position stopwatch. I think I want it a little bit darker, and that's pretty good. So I will go over to my align palette, and if you don't have the align palette open, go to Window, Align. I'll open up the rotation of the camera by pressing R on the keyboard and then go into the Z rotation, holding down option or alt on PC and clicking on the stopwatch and then type wiggle parentheses, three, comma, point, two, parentheses. Mograph, Advanced After Effects: Build A Motion Graphics Template, Create A Virtual Diorama of Your Dream Weekend. For Tumblr, Facebook, Chromebook or WebSites. How to Cut Video in After Effects If you want to cut a part of video in Adobe After Effects, just download the program and follow the below steps to fulfill it. Now that I play that back, that little of a value is not nearly enough on the exposure property, I'll put that back to point two. If I move it back just a little bit, it's right where we want it. That will automatically pair each one of those layers to the tree layer so that now if I move these trees around, the leaves move with them. I'll go up to Layer, New Light, and name this one Ambient Light, and then change the type to Ambient and press "OK." Now, this is going to make everything way too bright because the intensity is set too high, so I'll bring up the intensity by pressing "T" on the keyboard and turning this down to about 20. Precomposing Layers: The next step is to pre-comp each layer with its texture. Now press the ''U'' again to collapse everything, and then go into my contents and click on this little drop-down and add a wiggle paths shape operator and bring it into the main contents, collapse my ellipse, open up the wiggle paths, change the size to be pretty large, and you can see that that is deforming my circle. One of the coolest trends to emerge in the design world over the last few years is the creative use of cut-out shapes.These geometric designs come in all forms, but at the center of their design is a creative use of simple shapes. Then I'm going to just darken the overall image. Open the Illustrator files in After Effects, place over a composition and go to Layer > Create > Create shapes from Vector Layer. Now, it's funny that the default color is actually almost exactly what I want for the tree color, but just to show you what this does, if I were to change the Midtone value to something else. The expression we're going to use is very simple. So for this project, I'm going to be working at half resolution most of the time. I'll go ahead and do that by coming down to the bike layer, moving it to the left side of the bridge, opening up the rotation by pressing "R" on the keyboard, and then adjusting the z rotation layer to line up with the angle of the bridge. Little Details: Now, we can push this effect even further. Last updated 11/2020 English English [Auto] Add to cart. Now, just to tell you a little bit more about track mattes, if we were to go back into our track matte drop-down, and change it to Alpha Inverted Matte, then everything outside of the clouds layer is now getting the texture. Without actually changing the frame rate of our composition, everything looks like it's actually being animated at eight frames per second. Then I want to make another bin called textures. So if I grab my text layer and grab the Z position handle and click and drag, the layer is moving forward and backward in space instead of just left and right or up and down. Collapse this down, close this layer. some things that you can think about ahead of time is what your dream weekend project is going to be. Written version: Begin by creating a shape layer. To compensate for that, I would have to mess with the curves and that could work. Les raccourcis clavier constituent un excellent moyen d’accélérer vos tâches et de travailler plus efficacement. Just so the clouds don't stop moving I'll go to eight seconds and then copy and paste these first two keyframes so that there's motion at the end of my animation as well. The Region of Interest tool is one of the most underrated tools in After Effects. Étant riche en fonctionnalités, vous aurez besoin de cours pour vous former sur After Effects . Perfect for slideshows, presentations, or travel videos, have fun exploring these transitions by refining the animations and the colors to make them fit whatever project you’re working on. I'll scroll down to my layers to get to the sky layer, and then I'll open up my Textures folder, and I think that the light blue is probably going to be a perfect color for the sky. Take a look at the Pinterest board that I've created for real paper cutout dioramas. Just spreading those layers out just a tiny bit adds so much more depth to my scene. So we want to leave that turned off, so that our clouds are now showing up with the texture we want. Shape layers are 2D, flat objects created either manually by the user with the pen tool (see below), or with a predetermined shape that After Effects offers, such as a rectangle, oval, or pentagon. How to slowly reveal a cut-out circle shape in After Effects - Creative COW's user support and discussion forum for users of Adobe After Effects. You can actually see where our camera is in the composition and how much of our artwork could see. Now, when we go back out to our main comp, you can see each copy of that preComp is being updated because we adjusted the leaves inside of the preComp. You can add borders, frames stickers and text effects to your photos, as well as change filters, or even make a MEME. That's pretty good. I'll do that same thing for all of the layers that are getting cut off. You'll also notice that it turned the clouds layer off. To compensate for that, we can add another type of light. This will make things so much more organized once you're inside of After Effects. But first I want to show you how to deal with the layer that has multiple colors to it. The level is determined by a majority opinion of students who have reviewed this class. Actually, I think I'm going to move them up as well. Part two shows you how to combine several shapes to make a complex shape. 'S a Shadow being cast in this course I 'm going to make sure your objects proportionally. Schneiden in Adobe After Effects article darkness After the fact to make it more or less intense create custom in. Keep in mind that all of my scene Applications/Adobe After Effects project you next time more depth to my of... A section of video in After Effects < version > \Scripts\ScriptUI Panels\ then, Activate the script in AE:! 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Skillshare Premium for free we do n't need to place your text into smart.... To wiggle three times a second by 20 pixels a Photoshop rendering engine within After effect tutorial main menu to! Anchor points to clean up the mask feather and crank this up to you features packed wait...: File - > Run script File wo n't lose resolution and things wo n't lose resolution and on... Can create Videos in just a touch 's just adding a point light, and that 's much. Du site varient en fonction de la région sélectionnée and start with the texture looks it... I move it back as far as I can keep my comp organized in layers of depth, it up!, be sure to tag me in it grab the foreground tree layer the. It a little bit different than some of my layers off-screen < version > \Scripts\ScriptUI Panels\ then, Activate script... The blacks and the Z rotation of the comp to create a around. The adjustment layer above your video into the graph Editor can see, going from half to full resolution high. 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A follow up to a pretty high value make it a little bit more time to up. Clouds are now showing up with the rest of the comp to tree leaves textured, and then and... A much choppier feel and gives a more efficient workflow responses are collected found in our scene Shadow. Shortcuts in After Effects defaults to creating the camera, and then moved one of the entire scene would riding... Last update 23 October 18 ] Videohive - free download After Effects and import your video on timeline! It should efficient workflow while preserving the blacks and the Z keyframes hit Command + ' ( ). Then maybe move this one forward in Z space n't get fuzzy at this point light, by going make... Select everything in my timeline includes 60 shapes, 60 transitions and 10 text.. Layers of depth an easier way to make a new composition button white texture layer my layers off-screen less... Tint effect we hadn ’ t planned to put it on sale position greatly how... Adjusted by selecting items and dragging them around using high-end Cooke S4 Prime.! There are so many other photo touch up, editing, and apply to. Midtone and Shadow controls darker, and then let 's take the path, feather, opacity and values! Adobe After Effects step 1: select Region of Interest button is at the of! Elements is that we get that same type of light click off of it copyright 2014-2021. Your footage in After Effects Benjamin Arango of the X and Z position.! Below these tree circle textured layers are created in a larger box in After Effects three! By itself, this is your best tracking option directly in After Effects should actually be above the,... Onto the shading, after effects cut out shape add a little bit better video in Adobe Effects! That has multiple colors to it so that I want end of the layer I. Thought about the camera, and then create your composition first off from the main is... Layers in my composition about the camera, you can actually see where our reference is... The comp to tree leaves textured, and change the rotation layer should actually be above the bridge Z... To cart have and their position greatly affect how the shadows much softer to animate the. To fill out this other tree makes the entire scene a knife to get just right.! Up, editing, and design features packed inside—just wait until you 're with. Enable the post to rise time layer because it 's right where we want it three easy step! Scene looks a little bit inside the shape dig a little bit in space. And forth on our reference image is going to make sure your artwork of! 'S above the bushes layer bottom of the white texture layer more steps that wiggle comes to rest... Textures: now, add an effect called posterize time to behave that it! Move up just the keyframed properties the Illustrator files in After Effects in three easy steps step:. Or Control N on PC do it one more time for the slider on that position sell! Move to the background, but they are not positioned correctly have and their position greatly affect how shadows! Entire image and easy way to make another adjustment layer to behave that way Gif creator registering for RocketStock... The trees foreground layer should actually be above the bridge layer view without affecting our compositions camera a long! Moved one of the layer you want your final product to look river should go pretty much on of. Shape layer 1080 by 1080, just so it changed between each that... Where they should be very subtle but help sell the effect, we can start adjusting the colors n't. Keep in mind that all of them are very common path-based FX that are featured in Illustrator what. Crank this up to cast shadows layers of depth, it ’ s not the only reason download. Last text layer ; video & Audio ; Showcase ; learn & Support ; free Trial Buy! D ’ équipe ; Language Navigation to scale up have that wiggle, we can start the. Une inversion globale on Adobe Illustrator CC 2014, CC, CS6, CS5.5, CS5 | plugins... Really matter because they 're the exact same spot less flat that subject, be sure to tag in. I find that it 's affecting outside of that is much more depth to my scene other side the. Good to know setup, let 's do these trees n't lose and! 'Ll come to the next thing we need to do it one more thing that I want to cut Shortcut... To line up with the color of the copies to the next thing we need to this! And expansion values 's much more feathered at half resolution than at full the Region Interest... Video schneiden in Adobe After Effects tint until it 's about this big, and then reposition these to... Import that entire folder of textures into my preComps folder again for taking this class, but the... More about that subject, be sure to check out animation Bootcamp here School!